Thoughts on the residency: Charlotte Morgan

Libraries of books, books on libraries: Charlotte Morgan's "Re-imagined Libraries" project has only just begun.

Over the fortnight I met with a range of people from librarians and archivists to designers, writers, readers, library users, academics and artists who contributed their visions for the future library in visual or written form or through conversation; this element offered me really in depth insight into participants’ personal and professional relationship to libraries and discuss their hopes and practical suggestions for the future of libraries and archives and more widely, the ways in which the city is structured, spaces are designed and used, objects and information are collected, used, stored and displayed and reading informs our personal and social lives. I found that almost everyone I mentioned the project to had a perspective on the library especially considering its current unstable status, I feel the project is just the start of a much wider body of work that will develop in the future.

Re-imagined Libraries contributors to date include Alistair Allen, Nancy Broadfoot, Liam Bullingham, Lele Chen, Sarah Cole, Elizabeth Dodwell, Jess Ghost, Lesley Gunter, Ruth Jenkins, Linda Kemp, Tim Knebel, Adam Park, Joanna Parkes, Jade Pollard-Crowe, Jen Smith, Leanne Wain and Ruth Wilde.

The residency also taught me a lot about my strengths and weaknesses in working with peers, the public and participants, and where I position my practice in the spectrum of practices which may involve participation, working in context, site specificity and research methods, and has therefore been a great learning experience.

 

- Charlotte Morgan

Thoughts on the residency: Sally Anne Roberts

Sally Anne Roberts relocates some of her soil to odd nooks and crannies around the gallery, following one of her surgery sessions.

The photo frame interested some people and they asked questions about the images on the display, but I feel my personal shift and focus altered when we were given the chance to change our proposals. My focus on the residency became to test out what could take place within the gallery and how far soil could evolve on a journey through participation. The images on the photo frame highlighted context of the soil and explored ideas around how interconnected humans and nature are.

Through the daily exchange between me, others and whatever was within the soil, it constantly changed, evolve and was re arranged, with new life emerging. I feel the soil was a good catalyst for conversations and thoughts; there was a genuine interest in the material and what could be done with it. People told me how they found caring for their allotment/garden therapeutic, others where interested in how it had decomposed and altered and some it reminded them of our own mortality, many felt connected to earth. Generally people liked the idea and wanted to take part in suggesting what to do with the soil, some ideas were to have an impact on making a positive change to peoples live and others were ‘creatively silly’. I embraced the ‘creatively silly’ tasks in the same manner as the other tasks, fulfilling them to the same level of commitment and found a personal challenge to accomplish such tasks. The task of sifting the soil and planting the seeds was happily received and I felt this was an action of giving and hope to connect people after the event through a blog. Since the event I have built on contacts of people and developed links to communities who are interested in similar issues and taking part in other activities and hope to develop connections with them and would embrace the chance to work with the other artists again.

 

- Sally Anne Roberts

Thoughts on the residency: Ruthie Ford

Skeins of yarn: in the pre-(craft)historic phase.

Ruthie Ford has been keeping a mini-blog of her own documenting the progress of her “Craft Histories” project. Lots more photos and even off-site encounters to be found.

 

- SW

Thoughts on the residency: Lyn Carruthers

One of the many "Hidden Landscape" workshops Lyn Carruthers gave during her residency.

Wow what a couple of weeks! I’m shattered. Thanks to everyone who ‘collected’ and shared their thoughts, feelings and experiences with me. I really enjoyed listening to everyone and seeing the hidden landscape around the gallery through their eyes. Without their participation I’d have had an empty space. I’ve got all the goodies in my studio waiting to be photographed. I’ve got some ideas and visitor suggestions about what to do next with all these treasures, but I’m going to have a break first.

I really enjoyed working with the other artists: sharing ideas, thoughts, practice and experiences. I am a bit of a dinosaur when it comes to new technology but I have now been on (thanks to their encouragement)  Twitter, followed and contributed to a blog, created a drop box for photos and put videos onto my Facebook page.

It was exciting and fun to create work collaboratively others. Ruthie and I devised a ‘wool chant’ with the support of Hannah and Heather (a visitor to the gallery). The chant wove together snippets of the stories that Ruthie collected and reflected the rhythm of needles when knitting. It also referenced the meditative effect that knitting can often have on the knitter. Adam helped me realise my ambition of recording the sound of my knitting (need to get out more) and through his practice challenged me to think about my own.

Steve and I experimented with using meditation as a vehicle to explore the hidden landscape around Site Gallery.  This was a bit scary but went well. Sally let me infiltrate her soil with knitted worms who insisted on having a conversation. Hannah, Steve, Smizz, Heather, Abi, Andrew, Ruth, Celia and Ruthie all bravely helped us perform the ‘wool chant’ in the Gallery. I had some great conversations with Smizz, Emily, Hannah, Charlotte and Adam about the challenges of making a living and making art. Smizz, I could listen to you talk all day.

Kate, Ania and Steve, the mentors, kept me thinking and questioning my practice as well as providing a safety net for those wobbly moments. They have also sorted out my reading list for the next year!

Finally a great big thanks to the Site Gallery for giving me this opportunity and to Sunshine for supporting us throughout the residency with such patience, tolerance and encouragement.

 

- Lyn Carruthers

Last call: Project round-up

Saturday 18 February was the last day of A time and a place. We were fortunate to have Jude Thomas join us and lead an evaluation session with the artists and Site staff. Although we were tucked away in the smaller space for this, the gallery remained open to the public and visitors could still wander around the unmanned project stations or listen in our conversations. From Jude’s activities, it was evident that the residency had become a unique opportunity for many of us to work collaboratively with new people, identify overlapping interests and pursue unexpected tangents. With just an hour in between to get the space ready for the evening’s closing do, we quickly tidied away remnants of the morning’s work just as the first guests arrived. Some photos from our farewell:

Charlotte Morgan's research analyses and pictures of all things library.

Abi Goodman and Sarah Smizz's wall clutter of RE:Advertisements, a popular stop for many visitors.

Tired but happy: Emily Musgrave and Hannah Knights can finally breathe easy after an intense two-week residency.

A group of vocal volunteers for Adam Denton‘s Co-Fragilities piece phoned in during the closing event to give a remote live performance:

A massive thank you to all ten artists for their time, openness and wonderful ideas, and to mentors Steve Pool, Kate Genever and Ania Bas for their input. I will invite a few of the artists to guest-blog any final thoughts here. Do come back and visit!

(This edition’s photo credit goes to Sarah Smizz — thanks!)

 

- SW

At work: Pictures from the gallery

Abi Goodman and Sarah Smizz are working on a presentation of the most-used-words from their RE:Advertising project.

Emily Musgrave's sculpture and research images.

Charlotte Morgan's collection of library, cabinet and archive images.

A written contribution to Ruthie Ford's craft histories.

 

- SW

A time and a place: Closing event tomorrow, Saturday 18 February

This was taken just two weeks back when the artists barely knew one another. Really feels like a while ago!

The two-week residency of A time and a place will come to an end tomorrow, Saturday 18 February. We will have a closing event from 5:00pm – 7:00pm when you can stop by and see the results of all the artists’ work and take part in some of the projects. Hope to see you then!

 

- SW

A video: Adam Denton and his mobile choir, at Site today

Adam Denton explains what he is doing at Site today. If you can’t make it to the gallery, you could also ring him during opening hours (11:00am – 5:30pm) and take part in the vocalisation:

07761978059 // 07954499791 // 07954387949 // 07906517831

 

- SW

Meditation and Hidden Landscapes mash-up: Today, Friday 17 February

Join myself and Lyn in the Meditation Gallery (today 1:00pm) for a special one-off collaboration using meditation as a vehicle to explore the hidden landscape around Site Gallery. We will guide you through a short 15 minutes meditation using various visualization techniques which will help you to navigate and explore the local area. At the end of the session you will be given a few minutes to gently return your awareness back into the room before we are then escorted to Lyn’s display area in the main gallery where we will record our findings.

Please feel free to come along and take part!

 

- Steve Anwar and Lyn Carruthers

ArtWorks: Developing Practice in Participatory Settings

(Thanks to Kate Genever for pointing out this new initiative.)

ArtWorks: The newest Special Initiative from the Paul Hamlyn Foundation, ArtWorks is a workforce development scheme that seeks to meet the needs of artists at different stages in their careers – from the aspiring young artist embarking on training, to experienced practitioners who wish to progress their output. It is seeking to build on good practice to enhance the existing development infrastructure.”

 

- SW